Yet, the record feels quite balanced, and it doesn’t really matter how Case, lang and Veirs got there - they did it.
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Plus, her 2013 album Warp and Weft may have been a bit of a trial run for this project, as both lang and Case appeared on it. The collaboration is arguably Veirs-heavy she had a hand in the lion’s share of the songwriting, her husband Tucker Martine produced the record and she plays guitar on it. The overall impression is of stylistically fused alternation. lang-led “Honey and Smoke,” with its tumbling “I know, I know, I know, I know” call and response vocals is a good example) but more often than not finds Case, lang and Veirs taking turns leading for a song while the other two harmonize. Yet this is hardly a template for the record as a whole, which sometimes evokes ’50s and ’60s girl groups (the k.d. On opener “Atomic Number,” the three singers’ distinct voices swap lines: lang’s rich alto, Veirs’ delicate, breathy yet steady voice and Case’s torchy wail overlapping and combining together, much like the pure elements they’re using as metaphors. It took the songwriting supergroup three years, but here it is - and it actually lives up to expectations. lang who had the crazy (wonderful) idea: Neko Case, Laura Veirs and she should make a record together.
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